Calming Vibes

You might be wondering what I’m doing. I’m trying to send along some calming vibes, from me to you, by way of my print, “Green Joshua”. I’m asking you to slow down so you can really see it. Besides, I think we are all going too fast anyway. That being said, my prints are designed to be seen in person. Face-to-face interaction works best with this work.

If you would like to purchase a print, send me an Instagram DM at elmp_kap or email me at ELMPhoto.FA@gmail.com. If you live in California, I may be able to deliver the artwork to you personally.

2025 pricing breakdown:
Size 12"x18", for $1,500.00
Size 20"x30", for $3,100.00
Size 30"x45", for $4,600.00 

Each work is an edition of 5 with 2 artist proofs. The prints have a slightly satin, nearly matte finish, and are printed on enamel coated aluminum using archival pigmented inks ensuring their longevity and beauty for years to come. And I have a frame attached to the back of each print to help make print hanging easy.

(Kinetic Ambiguity Project, Land Series, Vistas Segment, 62534, “Green Joshua”, 12/9/2021, Size 30"x20", price $3,100.00.)

Kinetic Ambiguity Project at the 29 Palms Art Gallery

Hi you guys. Look what's coming up - it's my solo show:

29 Palms Art Gallery Presents Edward Lance Montgomery's Kinetic Ambiguity Project

Featuring the project's Land Series, Vistas Segment.
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Opening Reception
Saturday, June 7th, from 5pm to 7pm
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In the 29 Palms Art Gallery's East Gallery
74055 Cottonwood Drive
Twentynine Palms, CA 92277

 

Identity

Time is just flying by. Sometimes, it’s a challenge to keep. Like keeping up with the new shows I’m in. Currently, I have two more prints in an exhibition in Livermore, CA. The show, “Identity: Defining Identity Through Visual Expression”, is currently open and runs through May 4^th. It’s a group show and free to enter. You should have a look if you get the chance to.

Kinetic Ambiguity Project, Land Series, Vistas Segment, 66036, “In the Distance”, 1/28/2022

Kinetic Ambiguity Project, Land Series, Vistas Segment, 66366, "Blue Joshua”, 2/1/2022

I Like Bergamot Station Arts Center

I think it was sometime last year, I heard someone say or maybe I was talking with the person who said something kind of disparaging about Bergamot Station Arts Center. Whatever or whomever it was, I don’t agree. I like Bergamot Station Arts Center. It's like a small art show every time you go there. There is a lot of photography there too. If you have never been there, you should go. If you’re into art, I think you’ll like it.

I like hanging out here the most.

Danziger is no longer here.

I managed to photograph myself on this one.

One day I will have an exhibition here at the Rose Gallery

Ontario International Airport

I may have mentioned that my application to exhibit art at Ontario International Airport was approved by the Chaffey Community Museum of Art. Installation of two of my prints (these two) is scheduled for March 19, 2025, and will be up until January 2026. Please, let me know if you see them.

Kinetic Ambiguity 65549, nicknamed “Hilltop”

Kinetic Ambiguity 87665, nicknamed "Lone Joshua Tree”

And regarding the nicknames, I’m starting to nickname just the images that I will be printing for exhibition.

Hello friends and poetry lovers. I’m shaking the cobwebs off of my blog as I need it for the great things that are coming in the near future. I was also wondering if I should scrub the old stuff or just leave it so folks can see a part of the journey. Tell me what you think about keeping or getting rid of the old stuff.

I should probably read it before I do anything else, just in case.

The image with this post is Kinetic Ambiguity 13468. That’s its name. It’s nick name is “Ice Tea” because it kind of looks like a glass of ice tea.

Ok, I’ll talk with you soon.

Have You Seen These?

Have you seen these never-before-seen, secret art pieces?  I don’t imagine you have.  So, here for the first time, free of charge, I give you these artworks! Well, not literally free - just free to look at.

(Designation, Kinetic Ambiguity Project 623 – not named at this time.)

Designation, Kinetic Ambiguity Project 733 – not named at this time.

Designation, Kinetic Ambiguity Project 734 – not named at this time.

Designation, Kinetic Ambiguity Project 735 – not named at this time.

Designation, Kinetic Ambiguity Project 736 – not named at this time.

Designation, Kinetic Ambiguity Project 756 – not named at this time.

Do You Know Your Visual Signature? – Part 3

(Designation, Motion Project 40713 – not named at this time.)

(Designation, Kinetic Ambiguity Project 54150 – not named at this time.)

Working with a 50mm focal length and a 1x1 aspect ratio (see previous 2 post) gave me a better picture (pun definitely intended) of what my visual signature is with my ongoing principal projects.  The images above have a 50mm focal length and a 1x1 aspect ratio.  The images below have a (1) 135mm and (2) 300mm focal lengths with a 1x1 aspect ratio.  Both of those projects will stay at the 3x2 aspect ration I normally photograph at, as I feel it serves my visual signature well, especially after doing this.  It’s not that I don’t like the results because, yes, I do like the results.  I just believe I have other projects that 50mm and 1x1 will work better with – in particular, my Victor Valley Project which initially was at 50mm and 1x1, for a time.  I’ll have to create some new work with that project and share that with you soon.  This experimenting with focal lengths and aspect ratios has helped me to take a closer look at how I can better communicate with the viewers of my photography.  And it also helps me dial in the motif of my artistic style, or rather, my visual signature in my work.

If you haven’t done so, you should experiment with your visual signature.  I imagine that creative ideas will spring from doing this exercise.  And I think you will have some new fun while you are at it.

(Designation, Motion Project 40210 – not named at this time.)

(Designation, Kinetic Ambiguity Project 54779 – not named at this time.)

Do You Know Your Visual Signature – Part 2?

So, I have been doing some work with the 50mm focal length after watching that “What is Visual Signature?” on YouTube.  See previous post for details.  I think I mentioned this before, but I use to shoot mostly at 50mm until I gradually moved away from it.  As I said in the previous post, I’ve been at 300mm for my Kinetic Ambiguity Project and 135mm for my Motion Project for a while now.  Well, I did not only experiment with 50mm, I also photographed with 1x1 aspect ratio as well.  I made some interesting self-discoveries in doing this that I will share with you on the next post.  I’ll say this though, 50mm is a proven focal point.  Still, we need to keep in mind our own visual signature.

(Designation, Objects 457 – not named at this time.)

Do You Know Your Visual Signature?

(Designation, Motion Project 32926 – not named at this time.)

There may be visual signatures for every art form – every form of expression really.  But what I am briefly talking about here is your visual signature in photography.  So, I watched this YouTube by Ted Forbes on his channel, The Art of Photography.  The title of the YouTube was, “What is Visual Signature?”  I thought it was very interesting and if you are into art photography stuff you should watch it.  In Ted’s video, he explains that your visual signature is your lens’ focal length and that it is a good idea to master your visual signature in your photographic work.  To my point, my visual signature for my Kinetic Ambiguity Project is 300mm and for my Motion Project it is 135mm.  That is not how I began on those projects but that is how it has developed over the last few years as those have proven to be the best focal length for those projects.  The video gave me a new way of looking at focal length.  You should watch the video.

(Designation, Kinetic Ambiguity Project 28825 – not named at this time.)

A Quick Look at My Motion Project

The Motion Project is another ongoing project I plan on working on for some time.  What I was doing yesterday with this image creation was trying to make interesting compositions on the fly.  I was using my 6D Mark II on shutter priority (Tv) making the aperture set to auto.  I had also set my ISO to auto as well.  I normally set my ISO to 100 for this Motion Project but I was experimenting with the ISO.  Nonetheless, for this image, the ISO went to 100 and the aperture went to F/8.  My predetermined shutter speed was 1/640 second (my proven shutter speed for this project).  Also, my focal length was 200mm and my exposure bias was -1 step.  That exposure bias is a favorite of mine for everything I photograph, really.  And in that instant, I created this image.  Of course, there is my postproduction secret sauce that brings about this final rendering.  So, as you can see, this really wasn’t outside of my comfort zone, but it was a little experimentation with the ISO being set to auto.  I’m a little obsessed with control when I create images but I’m starting to loosen up, a little – a very little.

(Designation, Motion Project 40452 – not named at this time.)

Why I Wanted a New Camera

On Christmas, 2019, Jane (my wife and so much more) gave me a dream gift: a Canon EOS 6D Mark II camera.  It was my very first full frame DSLR.  And I have taken thousands of frames with it since then.  Yes, it was the only thing on my wish list (no secret there) and it cost a hunk of change (we are not monetarily wealthy) but I have imagined myself with one ever since I first heard about it in 2017.  Why did I want one so bad, the full frame sensor of course!  What it replaced was my Canon Rebel T3i which I had for five years at the time.  Its age wasn’t the issue, its APS-C sensor was.  I wanted that full frame sensor with a passion.  But has it changed my life?  Not really.  I really like the camera though because of a lot of features it has – not just the full frame sensor.  But I haven’t really taken advantage of most of those cool new features.  I think I’m going to change that though.  I think I’m going to leave my comfort zone and try some of these cool new things.  Stay tuned.

Oh, what do you think of my cool vignetting?

Oh, oh!!  If you like my posts, please add your email to my follow gang so you’ll get a message when I post again. 

(Designation, Motion Project 32960 – not named at this time)

Another Reason Why I Make Photographs

I got the chance to get out and make some images this weekend.  This was not on my list to do but it is no secret that I needed it – the therapy of making photographs.  When I am out there (anywhere really), with a camera in hand, the therapeutic relief is not instant.  It takes some time before I relax a bit and get into the flow of my process.  It varies but generally it takes about 30 minutes and I begin to feel what I’m doing with my camera.  For me, it is a free consultation with a mental health profession.  When I’m done, I am in a more relaxed state of mind and can better work my way through some of my issues that need addressing in my world.  I don’t know, but it may work for you too – if that is something that you need.

(Designation, Kinetic Ambiguity Project 2615 - not named at this time.)

 

Finally, Part Two – How to Solve the Blank Wall Predicament

I know, I have been gone for a few hundred years (or a couple of months).  You know how it goes sometimes, you get caught up in stuff and the time gets away from you.

So, blank walls – how do we hang prints or convert “blah” walls into “wow” walls?  My wife sent me the guide below a while back and it’s helpful.  There is one detail I believe most people know about.  For the group of folks who may not be aware, once you know where you’re hanging that artwork, be sure you compensate for the difference in height from the top of your piece to where the wire will be.  You know, pick up your piece with one finger on the wire then measure the distance from the wire to the top of the work/frame.  You eliminate the surprises, and you never want those surprises.

(Designation, Kinetic Ambiguity Project 2712, Föhn)

How to Solve the Blank Wall Predicament

I imagine this happens to many folks.  You pause for a moment in your home and your gaze predictably lands up on that blank wall (or those blank walls).  You may or may not have something to put on that wall but usually that is not the real problem.  The real problem is, “I’ll damage the wall; I’ll hang it too high (or low or crooked); I’m torn between this or that for that spot; I don’t have a clue about what would look good there; etc.”  Those feelings are normal though.  Let me let you in on a secret though, doing something about it takes a bit of effort – but it is so doable.  Of course, you can hire someone to hang something for you – ask Google.  But it does not require a lot of effort to do it yourself.  Usually a nail, a hammer, a pencil, and a measuring tape will get the job done.  Ok if you are particular, you can use a level too (I do).  In an instant, or more like in under 10 minutes, you can have something in that blank space – and you will be happy it is there.  Next time we’ll talk about “how” to do it.

(Designation, Kinetic Ambiguity Project 1203, Etesians)

Breakout Moments This Spring Auction Season.

“8 Artists Who Had Breakout Moments This Spring Auction Season” was an article I scanned (I only read the first paragraph) on Artsy.  I was scanning to see if any of the artist were photographers.  I believe they were all painters.  I am not upset with painters; they are cool folks.  I am just like, “yeah, that was what I expected”, with the industry regarding fine art photographers.  I know, there are thousands of recognized fine art photographers all around the world, but it just seems like…  I am not sure of the words I want to use here so I won’t.  But there was another thing that I must keep remembering when I read these art industry articles – they are not writing to me.  They are writing to top tier collectors, notable gallerist, accomplished artist, etc.  The work that was in the article was cool though.

Just the same, you should have a look at my website.  I imagine you will really like it.

(Designation, Kinetic Ambiguity Project 4785, Aeolian)

Do You Collect Up-and-Coming Photographic Artist? Maybe you should.

 

In the image, I see giant sentinels slowly walking across the desert landscape as the wind howls its disapproval though it is powerless to stop them.  Let your imagination guide you in this vision or you may miss it.  That is how it works for me, and it can work for you as well.  The work is beautiful, and you should not deny yourself an opportunity to have one of your own.  Take this opportunity to visit the website and see what I am talking about.

I wonder how this work would look on your wall.

(Designation, Kinetic Ambiguity Project 4915, Shamal)

What Marketing Strategies Work for You?

I imagine it looks like a giant green hand grabbing the Earth as it pulls itself up from some incredible void.  As it grips the surface, the sky is alive with frenetic activity flashing between white and blue.  But this place and these happenings are a secret because no one will know about my art unless I can get the work in front of them.  Marketing is essential to getting this business moving forward.  I’m working on my social media marketing right now as I don’t have a monetary cost with that at the moment (I’m just trying to say it’s free with a bunch of words).  And I need to learn about Google Places too.  What marketing strategies are working for you?

 

Oh, don’t forget to drop by the website since you’re here at the blog.

(Designation, Kinetic Ambiguity Project 3368, Khamaseen)

Do You Know Who Marina Abramovic Is?

“I never thought about how to sell performance; for most of my career I’ve done it for free”, Marina Abramovic.  This quote comes from an article on Sotheby's website, "MARINA ABRAMOVIĆ: A WOMAN’S WORLD", by Amah-Rose Abrams, May 10, 2021.  Basically, Ms. Abramovic is a household name that I never knew.  At least the article starts out saying so.  I admit, I only read the first paragraph then started looking at the images and highlighted quotes eventually coming to the quote you see here.  That quote made me stop and think – Ms. Abramovic had money or access to it all those years.  She could afford to do “it for free”.  She was not the artist I was looking for.  And you are correct, I do not know who the artist I am looking for is.  What I do know is that the artist is not well known but sells their artwork for a comfortable living.  I just need to keep looking – I will find them.  I will learn from them.

Well, you might as well have a look at my website since you’re here.  Tell me what you think of the artwork on it.

(Designation, Kinetic Ambiguity Project 596 - not named at this time.)

Why Should Anyone Buy My Art – Part Two

Why, I ask?  I answer with because it’s now easy to do!  My new website is operational!  The address is https://www.elmpfineart.com and it’s waiting for you to visit right now.  Imagine a website where you can get your hands on a finished product, created by me, to hang on your wall for all to see.  Now that’s a great reason to buy my art!  Not everyone will understand the value, but you do.

(Designation, Kinetic Ambiguity Project 1680, Sirocco.)